FICTION and NONFICTION
“Bears,” (Colorado Review, Fall 2023)
“Compendium,” (Smokelong Quarterly, September 2023)
“I’m on the Side of the Wildebeest,” (Flash Fiction America, eds. Sherrie Flick, James Thomas, John Dufresne, W.W. Norton, 2023)
“Ghosts,” (CRAFT, October 2022, CRAFT Short Fiction Prize, Second Place)
“My Friend Sela,” (The Bureau Dispatch, October 2022)
“The Last Summer,” (The Missouri Review, Summer 2022, runner-up for the Editors’ Prize)
“Togetherland,” (Okay Donkey, May 2022)
“LittleWomanHouse,” (Northwest Review, February 2022, winner of the Northwest Review Fiction Prize)
“Ambulances on My Block,” (The Forge, March 2022)
“A tree can kill a whole family,” (HAD, January 2022).
“Doctor Visit,” (Cincinnati Review, Fall 2021)
“American Football,” (Wigleaf, November 2021)
“How We Want Our Female Geniuses,” (The Florida Review, Fall 2021)
“Your Dead Mom,” (Passages North, October 2021)
“Dead Animals,” (Joyland, July 2021)
“Sheet,” (Smokelong, June 2021)
“Solitary, Poor, Nasty, Brutish, and Short: A Love Story,” (Idaho Review, 2021)
“Ruin,” (Santa Monica Review, Fall 2021)
“Sad Grownups,” (Witness, fall/winter 2020)
“Everywhere and Sun City, Kansas,” (West Branch, fall 2020)
“Cooking Show,” (Southern Humanities Review, November 2020)
“Rocktober,” (HAD, October 2020)
“All Who Wander Are Lost,” (What I Thought of Ain’t Funny, Mythic Picnic/Malarkey Books, fall 2020)
“Tits,” (Pithead Chapel, August 2020)
“Grunt Work,” (Hobart, June 2020)
“Dick Cheney Was Not My Father,” (The Common, June 4, 2020)
“Thirty,” (Gordon Square Review, June 2020)
“We Are Sunk Within Ourselves,” (Pidgeonholes, April 2020)
“Friday Joy and Pain,” (845 Press Chapbook, March 2020)
“After the End Times,” (Jellyfish Review, February 2020)
“Take Me to Your Leader,” (CRAFT, January 2020)
“More Fun In the New World,” (Ninth Letter, Fall/Winter 2019)
“A Tree That May in Summer Wear,” (Cincinnati Review miCRo series, December 2019)
“I’d Hug You If I Had Arms,” (Juked, November 2019)
“Hills Like Tan Lions,” (Passages North, October 2019)
“Never in a Million Years,” (Atticus Review, October 2019)
“Happy, Happy, Happy,” (Smokelong Quarterly, September 2019)
“Only a Little Bit Less Than I Hate Myself,” (Longleaf, August 25, 2019)
“Dead? Yes, Dead,” (Okay Donkey, August 23, 2019)
“Corvids and Their Allies,” (Triquarterly, July 2019)
“Margaret Atwood in Paradise,” (Fiction Southeast, July 2019)
“The Clean,” (Hobart Jukebox Happy Hour, July 16, 2019)
“Emergency,” (Pigeonholes, June 2019)
“All My Pretty Ones,” (J Journal, Spring 2019)
“Picturebook,” (Chattahoochee Review, Spring 2019).
“Soft at the Edges, Going Bad,” (Monkeybicyle, May 3, 2019)
“This Is Not My Beautiful Wife,” (Arts & Letters, Spring 2019)
“Dear Joy Williams,” (Split Lip, Spring 2019).
“Tarantula,” blog post, (Split Lip Magazine, April 2019).
“The Great Plains,” (The Southampton Review - Online, March 20, 2019)
“The Graphic Canon” and “Grad School,” (On the Seawall, March 2019)
“Ten” (Wigleaf, February 20, 2019) +postcard
“Edward Abbey Walks Into a Bar,” (Joyland, February 2019)
“American Prospects,” (Pithead Chapel, February 2019)
“Anarchism is Not Enough,” (Cheap Pop, January 29, 2019)
“Swimming,” (Hobart Jukebox Happy Hour, January 22, 2019).
“I’m on the Side of the Wildebeest,” (American Short Fiction, web feature, December 2018).
“People’s Parties,” (Copper Nickel, Fall 2018)
“Jesus Says Come as Your Are” (Hobart, October 2018)
“The Strange Fauna of the Suburban Pacific" (Nailed, October 2018)
“What Your Sorrow” (West Branch, Fall 2018)
“Astrology for Everyone” (The South Carolina Review, Fall 2018)
“Wizards of the Coast” ( Faultline, 2018)
“Catalog Life” (Temenos, Spring 2016)
“Tell Me How to Do This” (New England Review, Winter 2015)
“When Thou Art King” (Ploughshares, Fall 2008)
“Souvenir: Stockholm” (Our Stories, Fall 2006 and reprinted in Best of Our Stories, 2009)
“Take These for Your Cabin in the Desert” (The Journal, Spring/Summer 2005)
“More like the Sun” (Square Lake, Spring 2004)
“Learn the Ground” (Other Voices, Summer 2003 and Tartts: Incisive Fiction From Emerging Writers, Volume 2, 2007)
“Your Old Used to Be” (Puerto del Sol, Summer 2002)
“House” (The Santa Monica Review, Spring 2001)
“Under Stones, Under Water” (CutBank, Fall 2001)
“When Lost” (The Antioch Review, Spring 2000)
“What Comes Out of the Sawed Box” (Beloit Fiction Journal, Spring 2000)
“Bone” (Roanoke Review, Winter 1999)
“Stop, Then Go” (Primavera 1998)
“Moving In” (The Sonora Review, Fall 1995)
“Since You Asked, Here is Why” (Colorado Review, Fall 1993 and reprinted in Women’s Encounters with the Mental Health Establishment, 2011)
HONORS, AWARDS, & INTERVIEWS
William Peden Prize in fiction, 2023, Missouri Review
"Smoke & Mirrors: An Interview with Amy Stuber,” (Interview by Sarah Lewis), Smokelong Quarterly, September 2023
Second Prize, Jeffrey E. Smith Editors Prize, 2022, “The Last Summer,” Missouri Review.
Wigleaf Longlist, 2022, “Your Dead Mom,” Passages North.
Northwest Review Fiction Prize Winner, “Little Women,” December 2021
American Short Fiction, Halifax Ranch Prize, Semi-finalist, “The Game is People,” November 2021
Pushcart nomination for, “Dead Animals,” Joyland, July 2021
CRAFT First Chapters Contest, Finalist, “In a Dark Corner Shining,” November 2021
“Smoke & Mirrors: An Interview with Amy Stuber,” (Interview by Jennifer Wortman), Smokelong Quarterly, June 2021
Wigleaf Top 50, 2021, “Tits,” Pithead Chapel.
Pushcart nomination for “Thirty,” Gordon Square Review, June 2020
Best of the Net nomination 2020, “A Tree That May in Summer Wear,” (Cincinnati Review)
Best of the Net nomination 2020, “Thirty,” (Gordon Square Review)
Best Small Fictions 2020. “Only a Little Bit Less Than I Hate Myself” (originally Longleaf Review, January 2020).
Wigleaf Longlist 2020. “A Tree that May in Summer Wear,” (Cincinnati Review), “Hills Like Tan Lions,” (Passages North), “I’d Hug You if I Had Arms” (Juked)
Best Small Fictions nomination for “A Tree That May in Summer Wear,” Cincinnati Review, January 2020
Pushcart nomination for “All My Pretty Ones,” J Journal, 2020
Best Small Fictions nomination for “Soft at the Edges, Going Bad,” Monkeybicycle, January 2020
Pushcart Honorable Mention, Pushcart Prize 2020. For “People’s Parties,” published in Copper Nickel, Fall 2018
Finalist, Quarterly West chapbook contest for “I’m Not Here to Make Friends,” Fall 2019.
“Smoke & Mirrors: An Interview with Amy Stuber,” (Interview by Ashan Butt) Smokelong Quarterly, September, 2019
Pushcart nomination for “Dead? Yes, Dead,” Okay Donkey, 2019
Pushcart nomination for “Ten,” Wigleaf, 2019
Web Exclusive Interview: Amy Stuber, (Interview by Erin McReynolds, American Short Fiction, May 23, 2019).
What Inspires You? (The Chattahoochee Review, May 2019).
Pushcart nomination for “Anarchism is Not Enough,” Cheap Pop, 2019
Best of the Net nomination for “Anarchism is Not Enough,” Cheap Pop, 2019
Finalist, Quarterly West Chapbook Contest, 2019
Santa Fe Awards Program Shortlist (SFWP), September 2019
Wigleaf Top 50 Longlist 2019, for “I’m On the Side of the Wildebeest,” American Short Fiction, December 2018
Pushcart nomination for “What Your Sorrow,” West Branch, 2018
Pushcart nomination for “People’s Parties,” Copper Nickel, 2018
Finalist, 2018 Hudson Prize, Black Lawrence Press